Films discussed: 00:47 KING KONG (1933) 04:28 ABBOTT AND COSTELLO MEET FRANKENSTEIN (1948) 06:33 THE INNOCENTS (1961) 11:16 THE EXORCIST (1973) 16:33 LET THE RIGHT ONE IN (2008) 20:24 BRIDE OF FRANKENSTEIN (1935) 23:58 CURSE OF THE DEMON aka NIGHT OF THE DEMON (1957) 27:40 THE RETURN OF DRACULA (1958) 29:15 HORROR HOTEL aka CITY OF THE DEAD (1960) 31:18 EYES WITHOUT A FACE (1960)Frank and I have a long history with the movies, and with each other. This is our 2nd video podcast together. It's about our Halloween favorites.We are both quite passionate about continuing dad’s work in edifying the next generation, and stressing the importance of preservation. We agreed that if this series were to have value, rather than regurgitate every detail of the production history that can easily be found on IMDB, we should talk about what these films meant to us, and why people might enjoy them now.If you enjoy this and want to see more, please subscribe to this channel. We'd also love to have your support on our Patreon page (https://www.patreon.com/frankcoleman).Follow our further misadventures at https://BambiEverson.com and https://Frank-Coleman.com.Thank you!

Frank and I have a long history with the movies, and with each other. This is our first video podcast together. It's about our first date, in third grade, watching DEAD OF NIGHT at one of my father's long-running Saturday night screenings in our living room.We are both quite passionate about continuing dad’s work in edifying the next generation, and stressing the importance of preservation. We agreed that if this were to have value, rather than regurgitate every detail of the production history, we should talk about what these films meant to us, and why people might enjoy them now.If you enjoy this and want to see more, please subscribe to this channel. We'd also love to have your support on our Patreon page (https://www.patreon.com/frankcoleman).Follow our further misadventures at http://BambiEverson.com and http://Frank-Coleman.com.Thank you!

Drummer Frank Coleman gives an examination of how to think about playing odd meters in a musical, aesthetically pleasing way. Topics include Take 5 (Brubeck), America is Waiting (Byrne/Eno), Tomorrow's World (Killing Joke), Tattooed Love Boys (Pretenders), Scatterbrain (Jeff Beck), 13/8, 5/4, 7/8, 9/8, 31/8, and nested rhythms.

Here's an excerpt from a talk I wrote for the Music Department at Cooperstown (NY) High School. The theme of this one is "Innovation is Unrecognizable." Cited along the way: Doug Englebart, Alan Kay, Apple, Xerox PARC and David Bowie.

Here's an excerpt from a talk I wrote for the Music Department at Cooperstown (NY) High School. The theme of this one is "Game Theory in Music" and features a previously unreleased video from The Bentmen.

In early 2016, I prepared a lecture for the Music Department at Cooperstown (NY) Central High School, my alma mater, and present excerpts here in chapterized form. The theme of this one is "The Story of a Gig."

It was snowing. I took 5 seconds of slo-mo video with my iPhone, processed it in iMovie on the phone (a critical step for keeping the slo-mo effect!), imported that into Final Cut, tweaked it and made a seamless loop. This shows you how.Any video editor will do, it's the underlying principles that are important. Options for rendering and exporting from Final Cut for mastering and/or uploading to YouTube, etc. is discussed in detail as well.

In which I demonstrate the first thing I do with any brand new Mac to make it much easier to navigate than the way it comes from the factory. As always, your mileage may vary, but this is what works for me.

Host Frank Coleman demonstrates more kitchen alchemy with tiny green globes of awesomeness.A 21st Century Art Production Home base: http://www.21ca.comFilmed with an iPhone 4. Edited in Final Cut Pro XCredits Footage: KO IDE PO SELU DOBIJE PO CELU (2010) Tigrova Mast, Dir. Theme Music: "Sabre Dance" – Les Baxter & His Orchestra

A deep dive into an incredible time capsule, in which your host finds hidden gems in the back pages of The Daily News from over 50 years ago. It begins with the discovery of a long-lost interview with director Alain Resnais, and quickly gets much, much darker as we get closer to the front page. Having the object in your hand allows for accidental discoveries that no suggestion algorithm could match. #NotFakeNews . . . . #History #Newspaper #World #UnitedStates #Resnais #Interview #Headlines #BostonStrangler #JFK #Oswald #Broadway #JulieNewmar #NYDailyNews #NewYork #Boston #Archive #Newsprint #LettersToTheEditor #AntiCommunism #FreedomOfSpeech

Frank Coleman explains Nim, the game played in the film, "Last Year at Marienbad" (1961). The film is famous for its enigmatic narrative structure, in which time and space are fluid, with no certainty over what is happening to the characters, what they are remembering, and what they are imagining. Its dreamlike nature has both fascinated and baffled viewers; many have hailed the work as a masterpiece, although others have found it incomprehensible. Much like the game itself.Clips provided for education purposes.Read more about this great film and order it for yourself here: http://www.dvdbeaver.com/film/DVDCompare11/last-year-at-marienbad.htm

An artifact from the vaults, circa mid-80s. Guitarist Robert Holmes describes the first time he met drummer Frank Coleman.

Inwood Art Works On Air podcast presentsOn Air Artist Spotlight: Frank ColemanWelcome to Inwood Art Works On Air! Where we meet the musicians, filmmakers, writers, theater makers, and artists of all stripes that make their home in what we call affectionately "Upstate Manhattan." Hosted by Aaron Simms. Recorded at the Good Shepherd Convent in NYC.Frank Coleman has had a long career collecting hyphens. He's a musician-composer-writer-editor-filmmaker-animator-producer-director-designer and software developer.A former child actor, Frank appeared in two productions picked by TIME Magazine as Top of the Decade in 1969 before retiring at age 10. He studied percussion and electronic music at Berklee College of Music, eventually developing an interest in integrating technology into live performance. This led to a long and successful career in new media, encompassing over 500 projects since 1990, including the first CD-ROM, the first interactive music site on the Internet, and the first website to receive an Emmy nomination.He’s also a professional rock drummer with an extensive discography, and has performed in front of over 40,000 people, most notably with John Ashton, formerly of The Psychedelic Furs. Returning to his theater roots with his partner, playwright Bambi Everson, they've released six volumes of her work in paperback in the last year, had a sold out run at the 2019 NY Fringe Festival, and co-host a web series on cinema. Check out more from Frank at www.frank-coleman.comInwood Art Works On Air podcast is a free program produced by Inwood Art Works. You can support this program by making a tax-deductible donation at www.inwoodartworks.nyc/donate.This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. Inwood Art Works programming is made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.

My name is Frank Coleman, and I created the first interactive music site on the Internet. Here, at long last, is proof.I've been searching for a long time for as much concrete proof as I could find to support this assertion. It was October 30, 1995, coinciding with the release of the 1st version of Shockwave that supported two layers of audio, and it was for my brilliant, visionary friends, The Young Gods. I was on the Macromedia beta team, so I had early access to the technology.I have my original handwritten notes from when I was working out the design, and screens from the wayback machine that go back to '96, but earlier archives are lost.At last, thanks to Valentin Schmidt of the still-running Direct-L mailing list, I now have the original source files up and running on my desktop! My code still compiles error-free after nearly 30 years, mammajammas. 😉 Anyway, I feel like Georges Melies in HUGO, when they play his movies for him that he thought were lost forever.If you want to skip ahead to where I actually start playing the thing, it's a little after 00:17:00, but the preceding context is important the first time around, at least. I've salvaged all the code and will be publishing it, along with a deeper dive video on that later.Adobe wiped out 30 years of civilization when they deplatformed Shockwave, and later Flash. Companies should make their orphaned software open source!Referenced:The home page of my website in 1996, from the Wayback Machine: https://web.archive.org/web/19961223175032/http://www.21ca.com/The Shockwave page that housed this when Shockwave was a thing. Now just an empty shell: https://web.archive.org/web/19961223175032/http://www.21ca.com/Macromedia Brings Multimedia To World Wide Web – October 30, 1995: https://web.archive.org/web/19990910043226/http://www.macromedia.com/macromedia/proom/pr/1995/shockwave.htmlWired article from 1996: https://www.wired.com/1996/12/for-interactive-artist-its-lonely-on-the-edge/"Adobe Fandom" page on Shockwave: https://adobe.fandom.com/wiki/Adobe_Shockwave_PlayerShockwave end-of-life announcement: https://helpx.adobe.com/shockwave/shockwave-end-of-life-faq.htmlJohn Henry Thompson, the inventor of Lingo. http://www.johnhenrythompson.com/homeMore at https://frank-coleman.com . . . . #interactiveMusic #TheYoungGods #music #band #interactive #history #internet #first #industrial #Switzerland #Geneva #ivtv #21ca #21stCenturyArt #Macromedia #Director #Lingo #Adobe #rock #rockmusic #retro #90s #90stech #90sMultimedia #90sMusic #programming #Bryce #3D